Dan Conley

We’re getting very close to the end of “Three Colours: White” and it’s been a pretty entertaining ride so far, hasn’t it? We’ve seen some old friends from The Dekalog …we’ve witnessed a comic redemption story that featured some wry commentary about the wild west

For much of “Three Colours: White,” we have no idea where this story is going. It’s not really a weakness, it heightens the sense of mystery — what is Karol’s ultimate goal? Here, we see Karol, with Mikolaj at his side, begin to roll out an empire. They buy

Karol gets a brief challenge from his boss and the other man in the Mercedes who was talking about the land deal. They bang on his door early in the morning, Karol wearing a wife beater white t-shirt and boxer shorts. They are at the door and the balding business

I’ve been on this Diane Keaton kick the last few days and I’m not quite ready to end it. I want to take a brief look at the 1979 Woody Allen film "Manhattan" next. This scene is the heart of the film, but it's

Karol arrives at a subway station and walks a long platform until he is in between tracks — this system looks very similar to the Chicago Transit Authority’s blue line inside the loop. He eventually runs into Mikolaj and he asks him if the guy still wants to go through

The autobiographical elements of “Annie Hall” were so strong, that the title character assumed the second half of the lead actress’s real name. Diane Hall took the name Diane Keaton for the stage and screen — an appropriate tribute to the great silent era comic actor/director Buster Keaton — and