I have noted before similarities between “Three Colors: Blue” and “Drive My Car.” Both movies include a highly mysterious character. But in the case of “Drive My Car,” it’s a character who dies early in the film. In “Blue,” it’s the protagonist herself who is a mystery. It’
Dan Conley’s Writing Projects
Posts
--- Kieslowski stretches out the mystery a little longer. Julie goes to visit her mother and stands at the window of her home, observing her watching a man walk a tightrope. She stares for a few seconds and decides to walk off. The symphony begins playing in her head as
I began this project by noting similarities between Montaigne and Julie, the protagonist of “Three Colors: Blue.” Both had experienced painful loss in their lives, and in reaction, they withdrew to a place of greater emotional control and comfort. But what I find interesting about the narrative arcs of them
This is the strangest scene in “Three Colors: Blue,” one necessary to move along elements of the plot, but one that also feels out of place with the style and tone of the rest of the film. Julie is asleep at home when she’s awoken by a call. Lucille
One of the tropes of gangster films is the moment where the crime boss starts to see everything he’s built start to slip away. You could argue that every episode of “The Sopranos” is about examining that state. The fake world of power and safety begins to crumble. The
One of my other all-time favorite films is “Hiroshima mon amour,” the 1959 Alain Renais movie about a short-lived but intense love affair between a French actress, played by Emmanuel Riva, and a Japanese man, played by Eiji Okada. The story takes place in Hiroshima and is infused with memories