Three Colours: White

As we reach the conclusion of “Three Colours: White,” Kieslowski is still unsure about the tone of this film. Is it supposed to be a Charlie Chaplin-inspired broad comedy? A social satire? A twisted romantic fable? He seems to answer all of the above, which has always kept me at

Dominique opens the door to her hotel room, the same shot Kieslowski has previewed in flash forwards already. We see now what Karol’s plan was all along. He’s in her hotel room bed waiting for her. He says “I wanted you to come. I wanted to be sure.

We’re getting very close to the end of “Three Colours: White” and it’s been a pretty entertaining ride so far, hasn’t it? We’ve seen some old friends from The Dekalog …we’ve witnessed a comic redemption story that featured some wry commentary about the wild west

For much of “Three Colours: White,” we have no idea where this story is going. It’s not really a weakness, it heightens the sense of mystery — what is Karol’s ultimate goal? Here, we see Karol, with Mikolaj at his side, begin to roll out an empire. They buy

Karol gets a brief challenge from his boss and the other man in the Mercedes who was talking about the land deal. They bang on his door early in the morning, Karol wearing a wife beater white t-shirt and boxer shorts. They are at the door and the balding business

Karol arrives at a subway station and walks a long platform until he is in between tracks — this system looks very similar to the Chicago Transit Authority’s blue line inside the loop. He eventually runs into Mikolaj and he asks him if the guy still wants to go through